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Wayne DeLaCruz

My desires to make music started at an early age playing Drums, Vibes and eventually lead to Organ and Piano. I began my professional career in 1973 playing my first paying gig on Hammond organ at the age of 16. As a child music would always hold my attention. I loved hearing it on the radio, records and watching it performed on TV variety shows. I don’t remember anything I didn't like about it because it was all fun and new to me. I wanted to play the drums so after a few years of me beating on boxes, at the age of 9 my parents got me a drum-set and lessons. Off I went to play along with the radio and records. When I got to Jr. High, my father (who in his younger days played guitar and worked as a gigging musician), suggested I learn a melodic instrument called the Vibraphone. He knew where he could get a used set and since I was beating on the drums, I might try hitting on the vibes. I began taking lessons and playing vibes in the Junior High school jazz band. The band director (Robin Stringer-Crest) who was a really great teacher and knew how to inspire students, gave me the piano parts and told me to just play the chords with 2 mallets and improvise an occasional solo in what ever key we were in. That was my introduction to playing jazz.

While in High School at the age of 14 my father suggested I start playing keyboard and bought me a Baldwin spinet organ that came with 6 free lessons. It didn't take me long to realize that I liked playing organ but the Baldwin was the wrong organ. It didn't have sound I heard on many of therecords I had been listening to. I was remembering the organ I heard when my father took me to see Ray Charles in 1968. That was a great inspiring musical experience for me. I had seen and heard Ray Charles on TV and radio but I had never heard the guy that opened the show. I learned later it was Billy Preston playing a Hammond B-3 and that was the sound I wanted to hear from an organ. The Baldwin eventually was traded in for a Hammond spinet. My first gigging organ was a Hammond Porta B and 2 years later I got the real deal, a 1961 Hammond B-3 which is the same organ I gig with today.

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Album Review

Tony Adamo: Was Out Jazz Zone Mad

Read "Was Out Jazz Zone Mad" reviewed by Nicholas F. Mondello


The translation of “Adam" from Hebrew--from which the surname Adamo springs--means from the “ground" or “soil." It also derives from the Hebrew word for red, a la “red clay." Perhaps that is why any work from Tony Adamo is rare earth--gritty, and flaming crimson. Was Out Jazz Zone Mad Adamo's latest, his first for Ropeadope, is all of those things and more.Adamo is the Heavyweight Champion of “hipspokenword," wherein lingo meets vocalizing at the corner of jazz and ...

5
Album Review

Tony Adamo: Was Out Jazz Zone Mad

Read "Was Out Jazz Zone Mad" reviewed by Chris M. Slawecki


Some African cultures preserved their history not by the written but by the spoken word, kept by oral cultural historians known as griots. On Was Out Jazz Zone Mad, vocalist Tony Adamo aspires to serve in this same role, as a verbal historian of both official and unofficial African-American jazz and blues culture. This type of jazz jive might wear quickly thin but Adamo writes about jazz and jazz musicians with such detailed intimacy and vision that his words snap, ...

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