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Wendell Harrison Wendell Harrison

Detroit-based jazz musician Wendell Harrison is a recording artist, performer, teacher, author and entrepreneur. His fame as a clarinetist and saxophonist has spread throughout the United States, Africa, The Caribbean, Middle East, and Europe. His instruction book, the Be Boppers Method Book I with accompanying CD and the Be Boppers Method Book II with CD, is an essential aid for young musicians. Currently, Wendell has been touring the USA performing concerts and conducting workshops.

In early years of development, Wendell attended Northwestern High School in Detroit. While attending Northwestern (noted for developing some of the finest jazz musicians in the world), Wendell met trumpeter Lonnie Hillyard, alto saxophonist Charles McPhearson, and percussionist Roy Brooks. These were the musicians that really got Wendell into playing jazz. Hillyard, McPhearson and other class mates were all studying with legendary great pianist Barry Harris and it was not long before Wendell became under his tutelage. Wendell also attended the Detroit Conservatory of Music (now known as the Center for Creative Studies). Wendell moved to New York when he was 18 years old to make his way in the music world and he did. While in New York, he worked with many famed artists such as Lou Rawls, Joe Henderson/Kenny Dorham's big band, Grant Green, Sun Ra , Hank Crawford and Betty Carter (to name a few). Wendell also found himself sharing the stage with the likes of the late Eddie Jefferson, Sarah Vaughn, and Ella Fitzgerald.

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“That noble wooden instrument, the clarinet has a few heroes these days. Buddy DeFranco, Eddie Daniels, Alvin Batiste, the late John Carter, and Don Byron are integrating it into the contemporary language of improvised music., Add to that list Detroiter Wendell Harrison.” Michael G. Nastos - DOWNBEAT

“Wendell Harrison's RUSH & HUSTLE is something new under the sun.” Thomas Conrad - DOWNBEAT

“Wendell Harrison is a composer , author, and educator as well as a skilled and versatile woodwind player.” Tom Jacobson - JAZZ TIMES

“Since the swing era, there have been precious few clarinetists in jazz generally, and particularly among those embracing the styles of the post-bop period

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