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What Survives (Radio Edits)

What Survives (Radio Edits) by Tobin Mueller
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Tobin Mueller

Label: ArtsForge
Released: 2020
Duration: 01:18:00
Views: 248

Track Listing

1 Cliff's Edge (Radio Edit); 2 Secret of Life (feat. Bill Barner); 3 A Promise (Radio Edit) [feat. Woody Mankowski]; 4 Frankenfanny (Radio Edit) [feat. Ron Carter]; 5 Lightning Strikes (Radio Edit) [feat. Bob Levy & Ken Schaphorst]; 6 Must Go Back (Radio Edit) [feat. Jeff Cox & Chris Mueller]; 7 Dreams (When You Awake to Me) [feat. Woody Mankowski]; 8 I Wanna Fly (feat. Ken Schaphorst & Bob Levy); 9 Windowshade (Radio Edit); 10 Caught in the Current (feat. Bill Barner & Martyn Kember-Smith); 11 Finding No Path (Radio Edit) [feat. Chris Mueller & Dane Richeson]; 12 What Survives (Radio Edit) [feat. Woody Mankowski]; 13 Waltzing Night into Day (Radio Edit) [feat. Doug Schneider]; 14 River Runs Through Me (Radio Edit); 15 The Shape of My Life (feat. Woody Mankowski); 16 One Body of Man (Radio Edit); 17 Dénouement; 18 Dreams (Reprise) [feat. Emily Rohm].


Personnel

Woody Mankowski
saxophone, soprano
Bill Barner
clarinet
Bob Levy
trumpet

Additional Personnel / Information

Full Ensemble: Tobin Mueller - B3 organ, electric pianos, synths, acoustic piano Woody Mankowski - soprano saxophone, vocals Ron Carter - bass Bill Barner - clarinet Martyn Kember-Smith - fiddle Doug Schneider - tenor saxophone Tom Washatka - tenor saxophone Ken Schaphorst - flugelhorn Bob Levy - trumpet Dane Richeson - drums & percussion Jeff Cox - acoustic bass Chris Mueller - acoustic piano Emily Rohm - vocals

Album Description

"What Survives (Radio Edits)" is a collection of original jazz recordings inspired by Tobin Mueller's Broadway musical, Creature, remastered and edited for radio play. "One of the freshest and most sheerly entertaining, intriguing and exciting recordings I've come across. The product of Tobin Mueller's kaleidoscopic mind. Highly recommended." - Brad Walseth, JazzChicago.net "Tobin Mueller works like a mad scientist, like Dr. Frankenstein himself. His music is filled with lyricism and reflection, invention and new creation. With fellow lab partners, he puts on goggles and gives new allure to what began as a Broadway show but ended up a Jazz Masterpiece." - George W. Harris, Jazz Weekly "...captures at its zenith Mueller’s genius ability to dance in and out of motifs and themes, grooves and genres. He makes his unique takes on jazz sound effortless, expansive, beautiful and awesome..." - John LaMantia, contributing critic for Downbeat Magazine


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