William Parker is a musician, improviser, composer, educator, and author. He plays the bass, shakuhachi, double reeds, tuba, donso ngoni and gembri. Born in 1952 in the Bronx, New York, he studied bass with Richard Davis, Art Davis, Milt Hinton, Wilber Ware, Jimmy Garrison, and Paul West. During Parker’s prolific career, he has recorded over 150 albums, had countless celebrated stage appearances, and helped shaped the jazz scene for both his peers and the youth. In 2013, Parker received the Doris Duke Performing Artist Award in recognition of his influence and impact on the creative jazz scene over the last 40 years.
William entered the music scene in 1971, playing at Studio We, Studio Rivbea, Hilly’s on The Bowery, and The Baby Grand. By the age of 20, Parker quickly became a highly sought after bassist, playing with established musicians such as Ed Blackwell, Don Cherry, Bill Dixon, Milford Graves, Billy Higgins, and Sunny Murray. Projects with dancer and choreographer Patricia Nicholson have created a huge repertoire of composed music for multiple ensembles ranging from solo works to big band projects. In 1980, he became a member of the Cecil Taylor Unit, in which he played a prominent role for over a decade.
Since the beginning of his career, William Parker has commanded a unique degree of respect from his fellow musicians and critics alike. In 1995, the Village Voice characterized William Parker as the most consistently brilliant free jazz bassist of all time. In addition to his work with artists in the United States, he has developed a strong relationship with musicians in the European Improvised Music scene such as Peter Kowald, Peter Brotzmann, Han Bennink, Tony Oxley, Derek Bailey, John Tchicai, Louis Sclavis, and Louis Moholo.